VASU’s email 2. 00. AKRUTHI Owner and What VASU is quoting afterwards is WRONG and read What Dr. Pavanaja says about VASU. Pavanaja says about VASU. VASU email to Anand of Akruthi—————–Forwarded Message: Shri Kumarswamy, Namaskaara,I think largely due to your relentless efforts to ferret out the truth behind the sad state of affairs in the area of Kannada software and the domination of false icons of the so called free software like KGP Nudi and Sheshadrivasu’s Baraha, a lot of bitter truth and hidden information is coming out from various quarters, which is exposing the nasty skullduggery by which these false icons have sucked on the blood of the real workers in the Kannada software arena who have never claimed that they and they alone have done a great service to Kannada, but have been contributing silently in the background. I am forwarding here, an admission by one such icon, the Guru of free Kannada software, who, perhaps due to the fear of getting exposed by these revelations, very belatedly realised the need for acknowledging the unabashed piracy. More than six years after his misdeed, he meekly apologises for having pirated our “Akruti” fonts. This is a charge we have also made on KGP. How many more years, do we have to wait for them to come clean? Collection of most popular free to download fonts for Windows and Mac. This free fonts collection also offers useful content and a huge collection of TrueType face and OpenType font families categorized in. To identify culprit page is even easier with nice free tomaxxi script Control Background Export. Anyway, I hope you keep churning the murky waters of the Kannada software world for more such nuggets. I sincerely hope at the end of this great “Samudra Manthan“, finally some true gems emerge and adorn our beloved “Kannada Maate” who must be hanging her head in eternal shame at the present state of affairs. All the behind the scene workers like us should be thankful for your fearless crusade against all the wrong doers. Hoping for a positive outcome for the sake of Kannada,Anand S. K. Managing Director. Cyberscape Multimedia Ltd.—– Original Message —– From: Sheshadrivasu Chandrasekharan < baraha@hotmail. To: < anand@cyberscapeindia. Font Name Description Baraha Kan New Kannada font used in older versions of Baraha. Shree-Kan-0850 ShreeLipi Kannada font KN-TTUma CDAC Kannada font KNW-TTUma. Get A Free Printable Discount Now. The best website for free high-quality Shree Kan fonts, with 31 free Shree Kan fonts for immediate download. Download Free shree lipi shree kan-0850 Fonts for Windows and Mac. Browse by popularity. Preview Shree-Kan-0853.ttf font by typing your own text. Biggest searchable database of free TrueType fonts. Download free Shree-Kan-0853.ttf font from category Kannada Fonts. Available in TrueType. Shree-Lipi has many features which makes it best in the industry. Modular Fonts in package; Devnagari 10; Gujarati 10. Download Shree-Lipi Font Catalog. Devanagari; Gujarati; Punjabi; Bengali; Assamese. Download & Install Free Univers 57 Condensed Font. Error while exporting to PDF - Operation not yet implemented. Padma 0.4.18 released on January 21 st. The following dynamic font schemes Eenadu; Shree Tel 900/902; Hemalatha; Tikkana; Vaartha; Karthika; Telugu Lipi. Shree-Kan-0850 fonts; Kruti Dev 010; DV-TT fonts. Sent: Tuesday, June 2. PMSubject: From Sheshadrivasu Chandrasekharan. Anand,> > I recently saw a remark from you in one of the postings in an Internet> newsgroup which goes as follows. Categories; New & Popular; A - Z; Designers; View yours; Upload; Forum; Log In. 2622+ results for shree-dev-715 hindi fonts Related keywords (10) shri. FontConvert can be used for the following purposes. Shree-Kan-0850: ShreeLipi Kannada font: KN-TTUma: CDAC Kannada font: KNW-TTUma: Kannada font used in kannadaprabha.com: AkrutiKndPadmini: Akruti Kannada font. I experimented a lot with various Kannada fonts available in the> Internet, including Akruti. This research helped me to understand the> technology behind the Kannada fonts and I learnt a lot from these software.> Initially, I wanted Baraha compatible with other Kannada fonts. But due to> various limitations of such fonts, I had to come up with my own encoding. I> honestly admit that I have used the glyphs from one of the Akruti fonts in> Baraha 1. I was not very serious to mention about it. When I released> Baraha 1. I didn’t know it will become popular and used by many people. It> was only an experiment which I wanted to share with my family and friends.> But later, when Baraha became popular, for copyright reasons, I had to add> my own fonts for Kannada and other languages. I have created many new font> styles, which don’t exist in any other Kannada software. My intention was to> provide the facility for basic documentation needs of Kannada. It was not my> intention to copy or re- create various Kannada font styles that are> available in other packages. Instead I have focussed more on portability of> Kannada text from Baraha to other software such as Akruti, Shree. Lipi, e. t. c.> > Through this mail I would like to express my grattitude to various other> Kannada software for helping me to acquire the knowledge. My acknowldgements> to Akruti software for providing the glyphs which were used in the intial> releases of Baraha. I apologise for this delayed acknowledgement.> > Regards> Vasu> ***********************************************************> Free Kannada/Devanagari software – http: //www. Because VASU got Caught for STEALING the IPR. This following information is also FALSE according to some sources. This statement is not true and I would like to clarify the same in this mail. As of Baraha 6. 0 (to be released shortly), the following fonts are available for use. BRH Amerikannada. BRH Bengaluru. BRH Kailasam. BRH Kannada. BRH Kasturi. BRH Sirigannada. BRH Vijay. BRH Devanagari. BRH Tamil. BRH Telugu. BRH Malayalam. All the above fonts are designed and hand- written on the paper by the artist Sri. Lingadevaru and digitized (conversion to True. Type Fonts) by me. Most of the Kannada font styles that we see on computers today existed and used in the books, magazines and news papers much earlier. The “BRH Kannada” style follows one such classic type face that was used much before the computers came into existence as shown in the following examples. Gnana Gangotri – 1. Amara Chitra Katha – 1. The above style is a kind of de- facto standard for Kannada, which is used by almost all the publications today. Every Kannada font vendor has created this style using re- digitization (re- digitization is the process of creating a digital font based on an existing font either by scanning a printed letter or extracting from an existing font) and has given his own name. The following are some of the fonts, which have this style. There are many other generic type face styles for Kannada, which can be found in all the software packages. BRH Kannada – Baraha Nudi Akshara 0. Nudi. Akruti. Knd. Padmini – Akruti. Shree- Kan- 0. 85. Shree. Lipi. SHREE. We may find a few minor differences, when we compare these fonts. In most cases, this difference is introduced automatically during the digitization process. Some vendors deliberately introduce a few changes to certain glyphs, to be able differentiate from others. Some times, a different character or line spacing is used so that the font looks different when displayed on the screen or printed. Some times, the font size, thickness is modified to give a different look. Whatever may be the difference, they all derive from a common design, which cannot belong to any one individual or company. The common font styles that existed much before the computers cannot be copyright protected by any one person or company. This is the rule followed for English fonts. The English fonts such as “Arial”, “Times New Roman”, e. Here only the brand names such as “Arial” is copyright protected and that name can’t be used for other styles. But the actual character styles (or outlines) in the Arial font may be copied and re- produced by anybody. Font copyright laws vary from one country to another. In Germany for example, only the new font styles that are created after 1. I am not aware if any such laws exist for fonts in India. USA courts have long back decided that fonts can’t be copyrighted AT ALL! Here, the digital outline can never be protected. According to them there can’t be any original font style, because, every font is created by slightly modifying some other font, and there aren’t really “new” font designs! See the following excerpts from the law. The digitized representations of typefaces are neither original computer programs (as defined in 1. U. S. C. 1. 01), nor original databases, nor any other original work of authorship.”So, in a font, the name, any programming code not describing the font design are all that can be copyrighted. This leaves the door open in the USA to have anyone pay for the output of each character from a typesetter and re- digitize it or extract the design from a font program (and rename it), easily duplicating the design. Most foundries have very similar fonts derived from work largely designed by others. More information about font/copyright can be found at http: //ssifonts. Myths. htm. When I started developing Kannada software in 1. I had no knowledge of fonts at all. I had to do a lot of research and analysis on various Kannada fonts freely available in the Internet, which helped me to understand the current technology and the various issues. I am sure the other software vendors created their software only after doing such a research. This is not against any law. Some Kannada software vendors complained that Baraha has hurt their business because of its free nature. I still believe that the only way Kannada can compete with English is by a user- friendly, quality, free software. If not me, some other individual would have done the same work later. It is unfortunate that no Kannada software vendor utilized this great opportunity. The initial version of Baraha was just an experiment (not so serious. I didn’t know it would become so popular and used by many people. When Baraha gained popularity, I introduced new Kannada fonts in the versions that followed, as mentioned above. I could have easily re- produced the common font styles that existed in other software and competed with them. Instead, I came up with only new styles, which didn’t exist before. My intention is only to provide a free facility for the basic documentation needs of Kannada. I have focused more on standardization issues and portability of data to various formats and Operating Systems, which was ignored (deliberately for business interests?) by other software vendors. Since I don’t have any business interest regarding Baraha, the only motivation for me is quality, usability, portability and the interest in Kannada. Through Baraha, I have made a lot of friends throughout the world, which are more valuable for me than the financial benefits. Baraha is not a rocket technology! I have simply put together many things that existed already. While doing so, I haven’t violated any copyright laws concerning font software. Many software vendors and individuals have created Kannada software either out of business interests or personal interest in Kannada culture. Whatever may be the reason, my personal thanks to all of them because they formed the foundation for Kannada in IT. They kept Kannada alive so that it can be rejuvenated today. The credit goes to software companies such as C- DAC, Shree. Lipi, Akruti, KGP and many others. KGP did a good work by standardizing Kannada fonts and the keyboard. Some individuals such as Sri. Kasturi Rangachar and Sri. Items where Year is 2. Number of items: 3. Article. Abdolmohammadi, Pejman. Iran and the Arab spring. Saudi chick lit: the girls are doing it. Mc. Kenzie. Expectations and choiceworthiness. Nucleo monotematico: Uno sguardo triadico alla video- analisi dei processi interattivi. Teorie, metodi e linee di ricerca. 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